Category Archives: compositions

20.02.24 – Latest music releases

Hello, everybody!

For a while towards the end of last year, I didn’t release much music, as I had so little time to practise/compose/record. Thanksfully, I’ve had a bit more time recently and have managed to release four videos, three of them original music and one cover.

The first release was a piano piece of my own called ‘Let the Scheming Begin’. It’s a character piece and is related to a piece I released at the end of 2022 called ‘Inexorable Force’. It shows a different side of the same character.

Next up was the orchestral version of the aforementioned ‘Inexorable Force’. It’s the music that would play for the final battle with the main villain of a game. It took me a couple of months working on it every night to get the orchestration sounding how I wanted. I expect if I return to it with more experience, I’ll make some subtle changes, but I’m very happy with how it turned out.

Before I started work on that orchestral version, I’d actually made a prog-rock version of the same piece, largely inspired by Emerson, Lake and Palmer, as are many final boss themes in Japanese RPGs. I ended up releasing it a week later than the orchestral version as I’ got so focused on working on that one that I hadn’t thought to release this one. I hope this, the orchestral version, and the original piano solo will serve as an interesting example of how multiple arrangements of the same piece can be made.

Finally, I just released a piano arrangement of Motoi Sakuraba’s ‘Majula’, from Dark Souls 2. It took a while before I was happy with this and there’s still one section that I’m, unsure of. Generally, I’m pleased with it.

While I’m not sure I’ll be able to keep up a schedule of one release a week, I hope to keep things more regular than before.

Re-release: An Ill Presence (orchestrated)

Hello, everybody! While I’m not a huge Halloween person, I do like horror media, so thought I’d work on some creepy music this month. My first release is actually a re-release. Just over two years ago, I released a piano album and not long after I started to orchestrate some of the pieces from it.

One of the earliest was ‘An Ill Presence’. Listening back recently, it sounds excessively harsh, and at the same time, quite muddy. The panning of the instruments is also fairly arbitrary. I decided to remix it with the knowledge I’ve gained in the last couple of years and feel that it sounds much better now.

So here is ‘An Ill Presence’, arranged for piano, violin, flute, and oboe. There are two versions. The first has emulated tape wobble:

The second version has no tape wobble, as I know it can be disorienting for some people, especially if they’re listening in headphones:

Please let me know what you think!

New track – Life

Hello, everybody.

It’s been a while since I last released any music. Here’s my latest track. It’s quite outside my usual style. It was an experiment to learn how to use U-he’s Zebralette synth, and also a chance to write in mixolydian mode, which is a scale I don’t often use. It comes in two different flavours, so you can pick the version you like the most.

It’s available to stream on YouTube: https://youtube.com/playlist…

It’s also available to download on Bandcamp, either free or pay what you want: https://nicholasowen-petch.bandcamp.com/album/life

100 Subscribers on YouTube

Hello everybody! It’s been quite a long time since I last posted as I’ve been very busy and have had little time for music outside of teaching.

I recently became aware that I now have more than 100 subscribers on my YouTube channel, so I made a video to say thank you and to share previews of a few of my upcoming projects! I’ll be glad to hear what you think of them!

Upcoming Projects – August 2022

Hello, everybody!

I haven’t stuck to my usual upload schedule recently as I’ve got a lot of projects in progress but nothing finished. This week I still don’t quite have anything finished, but I made a teaser for some of my upcoming videos! There are bits of three covers that I’m working on (from Tombi, Dark Souls II, and Final Fantasy IX) and also snippets of three original pieces of mine. The video description has timestamps. I hope you enjoy!

Time to Rest – new composition and performance

Hello, everybody!

Today’s video is a good demonstration of why choice of instruments matters. It’s my latest composition, a Safe Room theme called ‘Time to Rest’. I’d been working on this for a few days with piano as the main instrument but wasn’t satisfied with that version. I decided today to rework the whole thing after finding a synth preset that grabbed my attention. I then performed both parts and put them together in this video.

It’s interesting for me how finding that particular synth sound changed my perception of the piece – I hadn’t intended it to sound sci-fi originally, but it sounds so right like this. I’ll definitely explore more sounds with future compositions before settling on a final version.

I hope you enjoy it as something to relax to!

Performance of Loss

Hello, everybody!

This week’s video is another performance of one of my own compositions, Loss. It’s my take on a funeral march/death scene, which I released last year on my solo piano album, Let the Journey Begin!. The slow tempo is pretty standard for this kind of music, but I experimented with using phrases of varying lengths, so as not to have it feel too measured – I wanted the instability of losing someone.

The piece starts off very diatonic, but as it goes on there is more chromaticism and countermelodies are introduced, so although there’s repetition of the main melodies and long sections over a tonic pedal, there’s always something new being introduced to add variety and interest. I’m believe that repetitions are a useful tool when writing music, but I’m not a fan when they’re used unnecessarily or if they don’t add anything new to a piece.

An Ill Presence~To Arms! (orchestral and rock mix)

Hello, everybody!

My latest video is a combined version of two of my compositions – An Ill Presence (orchestrated) and To Arms! (rock version). They were originally written as a pair and were released that way on my solo piano album, Let the Journey Begin!.

When I was working on the orchestrated and rock versions, I made and released them one at a time, and while I think they can stand alone, I also thought it would be good to recombine them as originally intended. Music can take on a different feeling depending on the context that it’s in, which is why the original release had them combined into one track, and why I released a whole album rather than individual singles.

A big thanks to Ainsley Stones, of Girl Gone Bad, for the guitar solo in To Arms!. Please check out their music: https://www.youtube.com/c/GirlGoneBad

Many thanks also to Thomas Slimm for writing and programming the drums.

The artwork is by my wife, Iryna Zastavna.

Orchestration – An Ill Presence

Hello, everybody!

This week’s video is an orchestrated version of one of my piano pieces, An Ill Presence. As with the previous orchestrations I made, I leant a lot from this. I limited myself to violin, flute and oboe in addition to the piano part. I’m happy with the result, though feel like I need to learn more about the production side of things as occasionally it sounds a little muddy.

My wife drew the colourful tree that I used as an image for the video. I asked her for a tree with unnatural colours and I’m really pleased with the result!

New performance and composition – A Moment of Safety

Hello, everybody!

This week I have a performance of my latest composition, titled “A Moment of Safety”. It’s inspired by the safe room themes of the Resident Evil games, which provide a few safe areas in the games. The music reflects this but simultaneously creates a sense of tension, a small dread that you’ll have to go back out into the danger eventually. That’s what I’ve tried to capture with this composition.

The chords used are Am11 and Gm11 – they don’t relate to each other, but being so extended softens the contrast between them as they actually share a lot of notes. I chose them for this reason, as together they sound pretty relaxed.

The sense of unease comes from the rhythm between the hands – only occasionally do they sync up. While they aren’t actually playing in different time signatures (although the left hand sounds like it moves between 6/8 and 3/4), there are enough stressed notes falling apart from each other that some rhythmic dissonance is created, in my opinion. Let me know whether you agree or not!

This exploration of creating certain feelings, atmospheres or emotions is one reason I love composing so much and also why I enjoy teaching composition.